{"id":50674,"date":"2025-08-16T13:56:19","date_gmt":"2025-08-16T10:56:19","guid":{"rendered":"https:\/\/www.cutinsight.com\/ru\/?p=50674"},"modified":"2025-10-04T04:19:34","modified_gmt":"2025-10-04T01:19:34","slug":"oy-mamochky-smotret-onlayn","status":"publish","type":"post","link":"https:\/\/www.cutinsight.com\/en\/oy-mamochky-smotret-onlayn\/","title":{"rendered":"Telle m\u00e8re, telle fille: watch online"},"content":{"rendered":"<p>The film \u201cTelle m\u00e8re, telle fille\u201d (2017), also known internationally as Baby Bump(s), is a lively French comedy directed by No\u00e9mie Saglio, who co-wrote the script with Agathe Pastorino. The leading roles are played by Juliette Binoche (Mado) and Camille Cottin (Avril), accompanied by Lambert Wilson, Catherine Jacob and others.<\/p>\n<p><!--more--><\/p>\n<h2>What is the movie about?<\/h2>\n<p>Avril is a responsible and organized woman, with a husband, a career and a relatively stable life. She lives together with her mother Mado, who behaves like an eternal teenager: frivolous, carefree, adventurous, and highly dependent on her daughter.<\/p>\n<p>Everything changes when Avril discovers that she is pregnant. But the real chaos begins when Mado announces that she is also expecting a baby \u2014 after a one-night reunion with her ex-husband. Two women from different generations, living under the same roof, suddenly face pregnancy at the same time. This becomes the source of countless comic, absurd and at the same time dramatic situations. It becomes especially complicated because Mado categorically refuses to see herself as a grandmother, while for Avril the very idea of her mother becoming a mother again creates continuous emotional tension.<\/p>\n<p><iframe loading=\"lazy\" title=\"Telle m\u00e8re telle fille - Bande-annonce\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/mkRMnr7u1t4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h3>Technical details and production<\/h3>\n<p>\u2022 Director and writers: No\u00e9mie Saglio, Agathe Pastorino.<br \/>\n\u2022 Music: the soundtrack was composed by the famous French musician M (Matthieu Chedid).<br \/>\n\u2022 Filming period: June to August 2016.<br \/>\n\u2022 Running time: around 94 minutes.<br \/>\n\u2022 Production companies: Flamme Films, Gaumont, France 2 Cin\u00e9ma and others; the budget was about \u20ac6.7 million, while box office revenue reached around $1.4 million.<\/p>\n<h3>A recipe for light family comedy<\/h3>\n<p>The film builds a light-hearted and easygoing atmosphere, which many viewers described as \u201cpleasant and stress-free.\u201d The interaction between Binoche and Cottin is a true parade of comedy and emotional confrontation, with each actress showcasing her individuality: the mother who acts like a teenager and the daughter who is supposed to be the adult, yet is emotionally vulnerable.<\/p>\n<p>Critics noted that the film relies on familiar and even clich\u00e9d <a href=\"https:\/\/www.cutinsight.com\/frantsuzki-komedii-10-pozytyvnykh-filmiv-dlia-vidpochynku\/\">comedic<\/a> devices, yet the charisma of the actresses and the lively pace of the story compensate for this. The supporting characters, particularly those portrayed by Lambert Wilson and Catherine Jacob, also add color and contrast.<\/p>\n<p><iframe loading=\"lazy\" title=\"\u041e\u0439, \u043c\u0430\u043c\u043e\u0447\u043a\u0438 (2017) \u0424\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0430\u044f \u043a\u043e\u043c\u0435\u0434\u0438\u044f \u043e \u0442\u043e\u043c \u043a\u0430\u043a \u043d\u0430\u0441\u043b\u0430\u0436\u0434\u0430\u0442\u044c\u0441\u044f \u0436\u0438\u0437\u043d\u044c\u044e\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/iq3oV5yczMU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h3>Reception and reviews<\/h3>\n<p>The critical and audience reception was mixed:<\/p>\n<p>\u2022 Positive reviews (around 3.5 out of 5) highlighted the lightness, the actresses\u2019 charm and the film\u2019s dynamic tempo.<br \/>\n\u2022 Negative reviews (around 2 out of 5) pointed out excessive caricature, exaggerated traits and a somewhat shallow script.<br \/>\n\u2022 Some reviewers criticized the film for being superficial and relying too much on clich\u00e9s, but even they admitted that Juliette Binoche\u2019s presence on screen rescues the film and brings it a unique charm.<\/p>\n<p>Conclusion \u2014 who should watch and why<\/p>\n<p>\u201cTelle m\u00e8re, telle fille\u201d is a witty, light and emotionally engaging <a href=\"https:\/\/www.cutinsight.com\/romanticheskie-komedii-cpisok-luchshih\/\">comedy<\/a> about the complex yet warm bond between a mother and her daughter. This film will appeal to those who appreciate:<\/p>\n<p>\u2022 The French style of family comedy with vivid characters.<br \/>\n\u2022 Sincere acting performances: Juliette Binoche and Camille Cottin create a unique chemistry on screen.<br \/>\n\u2022 A simple, pleasant storyline, which does not aim for deep philosophy but provides good-natured entertainment.<\/p>\n<p>If you are ready to forgive the clich\u00e9s and simplicity for the sake of a warm, funny and human story, this movie may pleasantly surprise you.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The film \u201cTelle m\u00e8re, telle fille\u201d (2017), also known internationally as Baby Bump(s), is a lively French comedy directed by No\u00e9mie Saglio, who co-wrote the script with Agathe Pastorino. The leading roles are played by Juliette Binoche (Mado) and Camille Cottin (Avril), accompanied by Lambert Wilson, Catherine Jacob and others.<\/p>\n","protected":false},"author":1,"featured_media":50675,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[],"class_list":["post-50674","post","type-post","status-publish","format-standard","has-post-thumbnail","category-video"],"_links":{"self":[{"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/posts\/50674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/comments?post=50674"}],"version-history":[{"count":1,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/posts\/50674\/revisions"}],"predecessor-version":[{"id":52010,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/posts\/50674\/revisions\/52010"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/media\/50675"}],"wp:attachment":[{"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/media?parent=50674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/categories?post=50674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/tags?post=50674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}