money<\/a> on PR-campaigns. What you need \u2013 is to film a thrilling movie, which has a potential to become your trademark. An indie film is like going to a psychoanalyst\u2019s. Indie films explore the human being. Any successful movie made for festivals will sure gross a lot of money. Think of \u201cLove\u201d or \u201cThe White Ribbon\u201d, for instance.<\/p>\nA short film is really the best trademark of any director. Whatever diplomas you may have got, they mean nothing. I need to understand what a person can really do.<\/p>\n
I despise poetic cinema. What it can only offer is the good\/evil or the love\/hatred conflict. It lacks real people. The cinema begins, where it portrays how a person is being made. Parajanov is a pure genius and Is out of the question, of course, but he can\u2019t be responsible for all the other movies made. And I\u2019ve seen many of them. To tell you the truth, I\u2019m simply stunned by the way Romanians shoot their movies. And their model is most striking. Romanians began to invest very little money to make movies about themselves. And not only Romanian films are successful, but television shows too.<\/p>\n
Why must the public watch your movie? Because you made it? No! It has to be spectacular, intriguing, engaging.<\/p>\n
I haven\u2019t had an opportunity to make low budget movies: they just weren\u2019t my cup of tea. In theory, I can agree that these limitations can be a good thing, but only for young directors who want to make a breakthrough in cinema. We must be a guarantor of quality. Whatever film is being released: a small or big budget one \u2013 there must be something in it to attract the public\u2019s eye. The only film that\u2019ll work is a movie with a lot of things going on in it.<\/p>\n
\u201cThe Tribe\u201d by Myroslav Slaboshpytskiy is an astounding work of art. If it had been submitted for an Oscar consideration, I can guarantee you it would have been in the top five films nominated in the Best Foreign Language Film category.<\/p>\n
I adore films based on true stories. Take \u201dThe Revenant\u201d by Alejandro G. I\u00f1\u00e1rritu, for instance. But our culture is not used to that.<\/p>\n
In a good film we are always witnesses to someone else\u2019s weaknesses. The movies like \u201cMy Left Foot\u201d by Jim Sheridan or \u201cThe Diving Bell and the Butterfly\u201d by Julian Schnabel tell stories of coping with life\u2019s difficulties and becoming aware. And that\u2019s always what the audience can sympathize with. I, personally, simply adore dramatic or even tragic stories in film. And I\u2019m very fond of Shakespeare.<\/p>\n
Things didn\u2019t come easy for me. I\u2019ve always been keen on learning and improving myself.<\/p>\n","protected":false},"excerpt":{"rendered":"
A film producer Alexander Rodnyansky gave a lecture on movie-making in FEDORIV Hub, a creative space in Kyiv. His seminar was entitled \u201cThe cinema on me\u201d. Rodnyansky has produced seventy feature films, among which are \u201cLeviathan\u201d and \u201cStalingrad\u201d. During his seminar in Kyiv, Rodnyansky shared his experience with the eager audience. Here are the main […]<\/p>\n","protected":false},"author":9,"featured_media":3901,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[],"class_list":["post-3899","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articles"],"_links":{"self":[{"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/posts\/3899","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/comments?post=3899"}],"version-history":[{"count":0,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/posts\/3899\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/media\/3901"}],"wp:attachment":[{"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/media?parent=3899"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/categories?post=3899"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/tags?post=3899"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}