{"id":1785,"date":"2015-05-18T21:57:17","date_gmt":"2015-05-18T18:57:17","guid":{"rendered":"https:\/\/www.cutinsight.com\/na_kannskom_kinofeste_otkrylsya_ukrainskiy_pavilyon\/"},"modified":"2023-10-03T09:14:34","modified_gmt":"2023-10-03T06:14:34","slug":"na_kannskom_kinofeste_otkrylsya_ukrainskiy_pavilyon","status":"publish","type":"post","link":"https:\/\/www.cutinsight.com\/en\/na_kannskom_kinofeste_otkrylsya_ukrainskiy_pavilyon\/","title":{"rendered":"The Ukrainian Pavilion opened at the Cannes Film Festival"},"content":{"rendered":"<p>The Ukrainian Pavilion will operate in Cannes for the eighth time. Within its framework, the domestic film industry will be presented, as well as business meetings of domestic filmmakers will take place.<\/p>\n<p>Despite the fact that there is no Ukrainian cinema in the competition programs of the festival, there is no need to talk about a lesser presentation of national cinema. In particular, on May 16 at 17:30 there will be a closed market (not premiere) screening of Anatoly Mateshko\u2019s new frank film \u201cCaptive,\u201d which is currently taking place in eastern Ukraine.<\/p>\n<p>Another finished film is \u201cBlue Dress\u201d by the famous Ukrainian director Igor Minaev, which will be presented among the presentations in the pavilion. In addition, these presentations (May 18 and 20) will include films in production \u201cNow I Will Love You\u201d by Roman Shirman, \u201cGood Game Well Played\u201d by Elena Fetisova, \u201cMaxim Osa\u201d by Ivan Sautkin, \u201cThe Turtle Dove\u2019s Nest\u201d by Taras Tkachenko and others .<\/p>\n<p>And in the Short Film Corner &#8211; a platform for young filmmakers presenting their short works &#8211; this year they are showing 15 films made in Ukraine or with the participation of Ukrainian specialists. These are the films:<\/p>\n<p>&#8211; \u201cMother\u201d, dir. Irina Zhigalyuk (Ukraine, USA, 2014, 14 &#8216;)<\/p>\n<p>&#8211; \u201cLet\u2019s not today\u201d, dir. Kristina Sivolap (Ukraine, 2014, 19&#8242;)<\/p>\n<p>&#8211; \u201cThe Island\u201d, dir. Nikita Timoshchuk (Ukraine, 2014, 4&#8242;)<\/p>\n<p>&#8211; \u201cTenderness\u201d, dir. Anastasia Makschimchuk (Ukraine, 2014, 18&#8242;)<\/p>\n<p>&#8211; \u201cTunnel\u201d, dir. Victor Bulyga (Ukraine, 2014, 3&#8242;)<\/p>\n<p>&#8211; \u201cIt\u2019s all the screenwriter\u2019s fault,\u201d dir. Oleg Filippenko (Ukraine, 2014, 11&#8242;)<\/p>\n<p>&#8211; \u201cThe Last Rock and Roll\u201d, dir. Kirill Petrov (Ukraine, Russia, 2015, 29&#8242;)<\/p>\n<p>&#8211; \u201cKyrym\u201d (QIRIM), dir. Ksenia Giorno (Ukraine, UAE, 2015, 35&#8217;)<\/p>\n<p>&#8211; \u201cAMARE\u201d dir. Oksana Shumilo (Ukraine, UAE, 2015, 17 &#8216;)<\/p>\n<p>&#8211; \u201cTake the Blow\u201d, dir. Anna Demyanenko (Ukraine, 2015, 20&#8242;)<\/p>\n<p>&#8211; \u201cEchoes of the Epoch\u201d, dir. Elizaveta Usach (Ukraine, 2015, 15&#8242;)<\/p>\n<p>&#8211; Nation On Fire, dir. Stefan Boukasu (Ukraine, UK, Russia, 2015, 15&#8242;)<\/p>\n<p>&#8211; \u201cThe Tenant\u201d, dir. Anastasia Mateshko (Ukraine, 2015, 20&#8242;)<\/p>\n<p>&#8211; \u201cOnce Upon A Mine\u201d, dir. Volka Nightingale (Ukraine, 2015, 30&#8217;)<\/p>\n<p>&#8211; \u201cFor Rent\u201d, directed by Sergey Storozhev (Ukraine, 2015, 15 &#8216;)<\/p>\n<p>During all the days the pavilion is open, there will be an action in support of director Oleg Sentsov, illegally detained in a Russian prison, who was opened by the Molodist festival in 2011. The Ukrainian pavilion will organize a collection of signatures calling on the Russian government to release Oleg Sentsov.<\/p>\n<p>The Ukrainian pavilion was organized this year by the Kyiv International Film Festival \u201cYouth\u201d together with Igor Yankovsky\u2019s All-Ukrainian Charitable Foundation \u201cInitiative for the Future\u201d and with the support of the State Agency of Ukraine for Cinema.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2015-11-10 21:57:17<\/p>\n","protected":false},"author":9,"featured_media":2217,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-1785","post","type-post","status-publish","format-standard","has-post-thumbnail","category-news"],"_links":{"self":[{"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/posts\/1785","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/comments?post=1785"}],"version-history":[{"count":0,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/posts\/1785\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/media\/2217"}],"wp:attachment":[{"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/media?parent=1785"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/categories?post=1785"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/tags?post=1785"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}