2014 was a record year for the number of domestic films in film distribution. Of the approximately 300 films released in domestic cinemas throughout the year, 14 were filmed entirely or partially by Ukrainian forces.<\/p>\n
The only animation among them – \u201cBabai\u201d by Marina Medved – is now on wide screens.<\/p>\n
\u201cThe Trumpeter\u201d by Anatoly Mateshko picked up the gradual revival of children’s cinema in our country.<\/p>\n
The highest-grossing films were \u201cThe Guide\u201d by Oles Sanin and \u201cViy\u201d by Oleg Stepchenko. The latter was filmed in co-production with Russia, Germany, Great Britain and the Czech Republic.<\/p>\n
The most active director of the year was Vladimir Tikhy. In addition to the feature film \u201cGreen Jacket,\u201d last year he also released two documentaries in limited release.<\/p>\n
I am glad that private producers have become more active, making Ukrainian films not at state expense. During 2014, five films filmed in this way could be seen in cinemas: \u201cKiev Cake\u201d by Alexey Shaparev, \u201cSynevir\u201d by the Alyoshechkin brothers, \u201cDo you love me?\u201d Yulia Kurbatova, \u201cSingle by Contract\u201d by Evgeniy Matvienko and \u201cMaidan\u201d by Sergei Loznitsa.<\/p>\n
Also at the box office were \u201cCredence\u201d by Valentin Vasyanovich, \u201cSuch Beautiful People\u201d by Dmitry Moiseev, \u201cF 63.9 Disease of Love\u201d by Elena Demyanenko and Dmitry Tomashpolsky, as well as \u201cTribe\u201d by Miroslav Slaboshpitsky. The latter, by the way, despite the fact that it is not at all designed for a wide audience, collected a very decent box office in Ukraine.<\/p>\n
Perhaps after this, cinemas will be more courageous in including our films in their repertoires…<\/p>\n","protected":false},"excerpt":{"rendered":"
2015-11-10 21:47:52<\/p>\n","protected":false},"author":1,"featured_media":2517,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[],"class_list":["post-1498","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articles"],"_links":{"self":[{"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/posts\/1498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/comments?post=1498"}],"version-history":[{"count":0,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/posts\/1498\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/media\/2517"}],"wp:attachment":[{"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/media?parent=1498"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/categories?post=1498"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cutinsight.com\/en\/wp-json\/wp\/v2\/tags?post=1498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}